No bra, no problem it seems.
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Calvin Klein
No bra, no problem it seems.
Calvin Klein circa 1994. Ah, remember this? Well, if you don't, don't even worry because everyone is dressing like this circa right fucking now.
In 1994, I remember being a nine year old wearing crazy colored turtlenecks under everything (dresses, t-shirts, other sweaters) largely because my mom still dominated my closet choices/purchases, but mostly because I was nine.
Despite this age, I remember I was starting to feel like the colorful clothes didn't reflect me and I yearned for something more minimal. My mom had some awesome outfits in her arsenal back then and even though I loved dressing exactly like her when I was a kid, I noticed that my clothes were adorably kids clothes no matter how much I tried to look older. Still! I loved the idea of wearing black at a young age, but even then it was seen as such a taboo — as if other parents would judge my mother's choices to allow her young innocent daughter to wear such a dark color. Is she into Marilyn Manson music from satan?!
This collection is not only memorable for me as a kid because it was so iconically laid back, but because all of my favorite celebrities were wearing this type of slouchy minimal palette — Winona Ryder, Kate Moss, Kirsten Dunst, Julia Stiles, Sarah Michelle Geller, etc. And I wanted to be just like them! Not like my colorful classmates in elementary school who didn't know better with their Lisa Frank sensibilities and simple minds! I had real problems to keep track of at home with my mom. I was her co-pilot, helping her navigate the English-only world of post-divorce poordom, so that may have been another reason I felt so distant and unrelatable to anyone at school. They were chatting 90210 and how hot some dude on the show was, and I was consoling my mom through one of her migraines probably induced by the debilitating stress of having to pay such bills and raise three kids largely on her own. So I did what I could with my clothes. I worked what I could and took copious mental notes (I should have invented blogging back then because I feel like I was still doing this type of documentation of what I love even then) so I could take advantage when my dad came over once in a while and took me clothes shopping to the mall.
There was one problem; for some reason this deceptively simple wardrobe was outrageously expensive. I couldn't understand why a simple pair of jeans with this "CK" mans name were so much money, but I knew that if I wore these logo clothes they'd somehow imprint me with a sort of status and cred, making me untouchable in a way. Clothes had the power to do that and I wanted in — or more specifically, a way out of the poor monotony of what I had at the time, and a way to look as old as I felt at the time. But that meant that unless I was getting these super-cool Calvin Klein-esque hand-me-downs from my brothers and other male family friends, or unless these items were magically on the racks at Old Navy, then there was no fucking way I was going to be this cool in 1994.
Ok, so let's zoom forward to 2016, and as a 30-year old I look back at this collection with the nostalgia that even though this couldn't be mine, and I couldn't wear any of it, this collection served as motivation for the future me. That sounds so cheesy, but people, it's beyond just a cheesy metaphor because it was my real life experience as a kid. This collection signified what I couldn't have, and I made a decision to have it and other nice things in my life and so I worked hard to make it happen. So thank you Calvin Klein for this beautiful, materialistic, and painful motivator to work hard and get out: get out of my situation of sad depressing poorness, out of the small town feel of where I lived, and out of the materialism and superficialness that I think I willfully missed out on so I could worry about more adult things.